Beate takes a sneak peek into Gucci’s ‘Wonder Factory’ for Vogue’s latest feature.
The brief allowed Beate and her team to experiment with tiny forest sets. Each of which draw upon something unique look of each time-piece to create a phantasmagorical scene.
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Beate shot this Christmas Gift set for the historic December 2017 issue of British Vogue.
This month Vogue relaunches itself with Editor ‘Edward Emminful’ leading the charge.
Beate shot this Avon Feature for Vogue, from her riverside studio.
Material and light work together in denoting a distinguished atmosphere. The hard edges of elegant materials sit in juxtaposition to the product curves. The serum is placed at an angle in the frame to communicate the rotation function and its infinite results.
In the foreground, a reflection of the product creates a red wisp of light.
Beate photographed and styled the image (left) for Vogue, working with the latest in new technology from GHD.
Beate Sonnenberg recently photographed Aventus by Creed for Vogue.
This double page feature was shot using multiple passes.