Peter was commissioned to produce these ornate dishes for The French Milk Cooperative to promote French produce and French cuisine!
Beate created these stunning geometric shapes using the textures of makeup & cream.
Style Beauty Awards commissioned the series of stills, with various shots then taken to be used in an upbeat Gif. for the gala.
L’Oreal commissioned Peter for a series of creative images that incorporated liquid movements for Garner hair colour.
Peter took the notion of hydration and exploited the opportunity to create some fluid art!
The series of watches and food ingredients intertwine and were captured at Guy Savoy’s restaurant, with food prepared by the man himself.
Beate worked with British Vogue to capture these stunning visuals for an article focussed on the repurposing of beauty products after their use.
Sustainability has been tricky territory, even with the growing natural beauty revolution. The cosmetic industry continues to produce 120 billion units of packaging per year. The series was commissioned to inspire new uses for beauty products people possess, from old compacts for storage, through to candle holders becoming tumblers or a miniature vase, Beate gives the series her distinct style.
In-between capturing lavish sets with Balvenie, Rob photographed a series of incidentals, shooting very much on the move.
The loose and authentic images draw on warm light and a shallow depth of field, creating a sense of familiarity with its audience. The notion of that treasured whiskey at the back of the cupboard that you pull out for a cheeky taste.
Beate follows on from the success of ‘Somewhere in Between’ by expanding on the award-nominated series.
A moment in time, however fleeting is encapsulated using mirrors and translucent coloured perspex. Lighting is positioned in such a way to create, momentary shadow structures.
The series is as much reflective on the human experience as it is a visual delight.
Beate traveled to the Southern tip of Corsica to create these sun soaked visuals for Armani.
The whole shoot took place from the front deck of a yacht moored off shore. Despite stormy seas and Dior bottles slipping around more than silk on skin, everything was captured on location – quite a feat!
“The challenges were the overall condition of the weather because it was very windy any reflectors and cards had to be handheld otherwise they would have been blown out to sea!”
The dream-like quality surrounding these images is based on that of Sandro Botticelli’s painting titled ‘The Spring’.
Models and product were captured in the studio using vast diffusers to caress the skin and highlight the shoes form.
This new project by Beate Sonnenberg was shot for Hugo Boss.
Ma Vie Crystal was placed in a specially made perspex flower, designed to compliment Beate’s unique lighting set-up. Beate incorporates mirrors to form a body of radial light that appears to emit from the product. This angular light sits in juxtaposition to the soft pastel colours.